Critic's Notebook Fit to Print - The New Yorker
Source: www.newyorker.com| Tags: Arts & Culture ExhibitionsThe mannerly “Lucian Freud: The Painter’s Etchings,” at MOMA, marks an epochal surrender, of modernism’s sh... more
The mannerly “Lucian Freud: The Painter’s Etchings,” at MOMA, marks an epochal surrender, of modernism’s sh... more
The new New Museum is a svelte stack of fine, white spaces, and its first show, “Unmonumental,” of junk scu... more
One of the foremost figurative artists working today, Lucian Freud (British, born Germany 1922) has redefin... more
Yesterday, I hung out for a good portion of the day at Comme des Garcons, talking to folks. Despite the imp... more
The Los Angeles Times recently offered an intriguing report on "cognitive enhancers," the batch of attentio... more
Our obsessive (and, quite frankly, exhausting) documentation of The Return of Late Night is finally complet... more
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Tom Wolfe, the author of sprawling social novels like “The Bonfire of the Vanities” and “A Man in Full,” ha... more
Eight weeks after their writers went on strike and plunged their shows into reruns, Jay Leno, David Letterm... more
Frederick Law Olmsted, with his Victorian whiskers, grandiloquent diction and vaguely utopian transcendenta... more