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Karen Horton’s inspiration

Paper Cutting Art by Hina Aoyama
Add to Folder | Comments (1) | February 09, 2009


I'm amazed at the intricacies found in the artist Hina Aoyama's paper cut artwork. Her finishied pieces look like they required painstaking meticulousness. But when you observe her working in one her online videos, with just a pair of scissors, she fools the viewer to think this is an easy task.

Hina Aoyama, a Japanese artist living in France, was just featured in the new book by Gestalten, Tangible: High Touch Visuals. But I first discovered her work in the Type Tuesday: Delicate post made by Uppercase last week.





There is little background information on Hina Aoyama (atleast none I can find in English). But I think her beautiful work can be appreciated with few words.




Below are a few of Hina Aoyama's videos (you may want to turn the sound down a bit):

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Hina Aoyama's style seems especially appropriate for the upcoming Valentine's Day. 

I wish she had custom made cards for sale on her site.


Link: Le site d'Hina Aoyama

Envisioning Science: Photography by Felice Frankel
Add to Folder | Comments (0) | June 01, 2008


The work of science photographer by Felice Frankel was recently 
included in the MOMA’s exhibition Design and the Elastic Mind

text from the MOMA exhibit: “Frankel is a science photographer whose rigorous manipulation of images is akin to a design gesture. By tweaking colors and backgrounds, she achieves a level of clarity that highlights the sublime design that can be found at the nanoscale. Because no camera is able to photograph at the nanoscale, Frankel had to construct her image of nanotubes—among the most promising structures in nanotechnology—using acetate, a flatbed scanner, and photoshop...”
(full credit for image above is: Microphotography: “Charlie’s Nanowires.” 2008, Felice Frankel (American, b. 1945) of Harvard University)

Here is a video of Ziya Tong’s
fascinating interview with Frankel on PBS’s Wired Science.







 

Link: feature about Felice Frankel on Apple.com

Graffiti Art and Animation by Blu
Add to Folder | Comments (5) | May 14, 2008


A 28yr old painter from Bologna, Italy, goes by the alias “Blu.”
He has recently emerged in the world of international public street-art.

Blu sets himself apart from fellow graffiti artists with his aesthetic of using black outlines filled with white paint, often with little use of color.

But what interests me most is the way he juxtaposes his street art into slightly creepy, but amazing animations. His latest video animation, Muto: An Ambiguous Animation Painted on Public Walls, was made in Buenos Aires and Baden.


MUTO a wall-painted animation by BLU from blu on Vimeo.
(The soundtrack for the animation is by Andrea Martignoni)

I discovered the work of Blu today while thumbing through the June 2008 issue of Print magazine. Blu is one of 12 illustrators featured in their article Drawn Together: Conversations with 12 Exceptional European Illustrators.



The Print feature includes one spread devoted to Blu. Here’s an interesting excerpt from the interview (but I recommend purchasing the issue as there is plenty more):

Q: What do you like most about drawing and painting?

A: “Painting in  public spaces is a really interesting social experience. What I like most is not the piece itself, but people’s reaction, and how the piece is being digested by the city. At the beginning, it is something new: It can be pleasant or distrubing, depending on the point of view. Then, with time, it becomes part of everyday life, and it can take on an old, familiar flavor, like those old, rusted billboards or advertising murals, forgotten in the corners of our cities.” —Blu

(credit for top image: Planet Prozess, Berlin © Blu 2007, bottom image: Comacchio, Italy, © Blu 2006)

Link: blublu.org

20 x 200 : snail mail is fun again
Add to Folder | Comments (1) | November 19, 2007

Back in October I came across the Jen Bekman project, 20x200. On a whim I purchased a print I liked by Laura Levine for $20 bucks. I forgot about this...until the “Do Not Bend” envelope arrived a week later.

I didn’t have high expectations...I was expecting just a poster for $20.

But my envelope was filled with little surprises: a sticker, an artist statement, and a print number certificate.

I was also told about the paper used for my print:
“You’ve received an archival pigment ink print on Crane Museo Portfolio Rag Paper.”

It was a very positive experience and being able to afford beautiful art was rewarding.

excerpt from Jen Bekman’s 20x200

“As we see it, there are a lot of people out there who want to sell their art and a lot of people who'd like to buy it. They just have a hard time finding each other. The internet is the perfect place to bring those people together, and we're exactly the right people to make it happen. We're passionate about art and the internet at 20x200. We're really excited about creating a place where almost any art lover can be an art collector.

We introduce two new pieces a week: one photo and one work on paper. Each image is available in three sizes.* The smallest size is reprinted in the largest batch – an edition of 200 – and sold at the lowest price – $20. Hence the name 20x200. (200x20 just didn't sound as good.) We also offer bigger prints for bolder collectors - medium-sized editions of 20 for $200, and large-sized editions of 2 generally for $2000 (some of the large sized editions will actually be original pieces of art and prices will vary a bit). Every single print is delivered with a certificate of authenticity numbered by the artist.”

The new editions go online every Tuesday and Wednesday @ 2pm EST.

Link: 20x200: it’s art for everyone






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About Me:

  • Working on:
    everything but what I should be doing.
  • Listening to:
    pandora
  • Reading:
    "Perfection" by Julie Metz
  • Watching:
    old episodes of It's Always Sunny in Philadelphia


Influences (28)